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	<title>Phil Peters Artist Website</title>
	<link>https://philpeters.art</link>
	<description>Phil Peters Artist Website</description>
	<pubDate>Sat, 17 Oct 2026 16:13:38 +0000</pubDate>
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		<title>Field Set - Altadena</title>
				
		<link>https://philpeters.art/Field-Set-Altadena-1</link>

		<pubDate>Wed, 14 Oct 2026 21:15:42 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

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		<description>
	Field Set - Altadena
	



	
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&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/b8eb1e553140c95d986d2e35151e214f0db9c708c4e678b609204775ab539be5/DSC07925.jpg" data-mid="253400303" border="0"  src="https://freight.cargo.site/w/1000/i/b8eb1e553140c95d986d2e35151e214f0db9c708c4e678b609204775ab539be5/DSC07925.jpg" /&#62;
&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/9b56e6233cda98a1147c617cb3cb1ed3789d98f8d143a777b8882987ec35ce85/DSC06006.jpg" data-mid="253400287" border="0"  src="https://freight.cargo.site/w/1000/i/9b56e6233cda98a1147c617cb3cb1ed3789d98f8d143a777b8882987ec35ce85/DSC06006.jpg" /&#62;

	Field Set is a collaboration with Kelly Akashi, documenting the sounds of demolition and nearby rebuilding in the wake of the devastating Eaton Fire in Altadena, CA. 
Commissioned by Los Angeles Nomadic Division(LAND), this two-day public event featured the work of Kelly Akashi, Phil Peters, Celia Hollander, Paul McCarthy, Alex Stevens, and John Wiese
Read more about this project...

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		<title>Field Set - The Whitney</title>
				
		<link>https://philpeters.art/Field-Set-The-Whitney-1</link>

		<pubDate>Sat, 17 Oct 2026 16:13:38 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

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		<description>
	Field Set - The Whitney
	



	
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&#60;img width="1600" height="939" width_o="1600" height_o="939" data-src="https://freight.cargo.site/t/original/i/b5451175a5f41697fc09ea948e9ae80bf769e654aae3b431dd180f030f9b2ead/7.31.26_Whitney_079.jpg" data-mid="253456313" border="0"  src="https://freight.cargo.site/w/1000/i/b5451175a5f41697fc09ea948e9ae80bf769e654aae3b431dd180f030f9b2ead/7.31.26_Whitney_079.jpg" /&#62;

	The second presentation of Field Set occurred by invitation at the Whitney Museum of American Art. This three-day event featured the work of Phil Peters, Kelly Akashi (Whitney Biennial), and performances by Tara Walters, Kyle Luntz, Simona Prives, and Ryan Vahey.
Read more about this project...

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		<title>The Permian Recordings at Co-Lab Projects</title>
				
		<link>https://philpeters.art/The-Permian-Recordings-at-Co-Lab-Projects</link>

		<pubDate>Wed, 14 Dec 2022 23:36:43 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

		<guid isPermaLink="true">https://philpeters.art/The-Permian-Recordings-at-Co-Lab-Projects</guid>

		<description>
	The Permian Recordings at Co-Lab Projects
	



	
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&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/4805b80788a9582cb16147cdc3151731d9c596b0f5df25b83e2ee62da002d0ab/colab_permian_recordings_6190.jpg" data-mid="161976654" border="0"  src="https://freight.cargo.site/w/1000/i/4805b80788a9582cb16147cdc3151731d9c596b0f5df25b83e2ee62da002d0ab/colab_permian_recordings_6190.jpg" /&#62;
&#60;img width="1667" height="2500" width_o="1667" height_o="2500" data-src="https://freight.cargo.site/t/original/i/16179db8fbf90e2e129b3c1dc6803156c81de6234544a65f8ffe8249a3806cf2/colab_permian_recordings_8258.jpg" data-mid="161976768" border="0"  src="https://freight.cargo.site/w/1000/i/16179db8fbf90e2e129b3c1dc6803156c81de6234544a65f8ffe8249a3806cf2/colab_permian_recordings_8258.jpg" /&#62;

	In this iteration of The Permian Recordings, the installation adapts Co-Lab’s unique outdoor exhibition space, turning the gallery’s concrete culvert into an enormous infrasonic subwoofer, a speaker at the scale of architecture.&#38;nbsp;

The Permian Recordings are subterranean audio recordings from the Permian Basin, a section of West Texas known for oil and gas extraction near the towns of Midland and Odessa. 
Read more about this project...

</description>
		
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	<item>
		<title>The Port of Long Beach Recordings</title>
				
		<link>https://philpeters.art/The-Port-of-Long-Beach-Recordings-1</link>

		<pubDate>Wed, 14 Dec 2022 23:26:40 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

		<guid isPermaLink="true">https://philpeters.art/The-Port-of-Long-Beach-Recordings-1</guid>

		<description>
	The Port of Long Beach Recordings
	



	
&#60;img width="4720" height="6293" width_o="4720" height_o="6293" data-src="https://freight.cargo.site/t/original/i/8b94f1dfb6b23a21edfe8273688fbdc943fa2504dc01b10caf254faf389722a9/2022_03_21_CANARY3124.jpg" data-mid="161975865" border="0"  src="https://freight.cargo.site/w/1000/i/8b94f1dfb6b23a21edfe8273688fbdc943fa2504dc01b10caf254faf389722a9/2022_03_21_CANARY3124.jpg" /&#62;
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&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9957ac81d36f022fee43125670eeb5073178e923ec11801545c86d36d843453e/2022_03_21_CANARY3165.jpg" data-mid="161975943" border="0"  src="https://freight.cargo.site/w/1000/i/9957ac81d36f022fee43125670eeb5073178e923ec11801545c86d36d843453e/2022_03_21_CANARY3165.jpg" /&#62;

	The Port of Long Beach Recordings capture the subsurface vibrations of sand, surf, and distant cargo ships traversing America's largest port. 
Read more about this project...

</description>
		
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	<item>
		<title>Volcanic Drift (leader)</title>
				
		<link>https://philpeters.art/Volcanic-Drift-leader</link>

		<pubDate>Mon, 02 Sep 2019 18:11:04 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

		<guid isPermaLink="true">https://philpeters.art/Volcanic-Drift-leader</guid>

		<description>
	Volcanic Drift
	



	
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/7b7e6428df91fb8a828733908599b7261f0b8a9c41d9c6ced9ce5d123de3b69f/3C90D7BF-32C5-4740-A914-6321C56A606B.jpeg" data-mid="49755834" border="0"  src="https://freight.cargo.site/w/1000/i/7b7e6428df91fb8a828733908599b7261f0b8a9c41d9c6ced9ce5d123de3b69f/3C90D7BF-32C5-4740-A914-6321C56A606B.jpeg" /&#62;
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&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/17f84454d1fc46a50da798bd9f4bef267a36594669e88a0adb12b4831bad091e/04A22EB4-0666-41AC-976C-3AA8F097EB43.jpeg" data-mid="49756909" border="0"  src="https://freight.cargo.site/w/1000/i/17f84454d1fc46a50da798bd9f4bef267a36594669e88a0adb12b4831bad091e/04A22EB4-0666-41AC-976C-3AA8F097EB43.jpeg" /&#62;

	Volcanic Drift presents the subterranean sounds of Yellowstone’s super caldera, cut into vinyl records, and played back through a pair of custom-built subwoofers. Because a portion of this audio extends below the range of human hearing (the infrasonic), these recordings are felt as well as heard.
Read more about this project...

</description>
		
	</item>
		
		
	<item>
		<title>The Permian Recordings</title>
				
		<link>https://philpeters.art/The-Permian-Recordings-1</link>

		<pubDate>Sat, 30 May 2020 00:16:59 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

		<guid isPermaLink="true">https://philpeters.art/The-Permian-Recordings-1</guid>

		<description>
	The Permian Recordings at LAXART
	



	
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&#60;img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/e3d6f5daf43970b795b0922545207de9b47cc296c919f440437f6762ab41cd6d/ee29161d-798c-44e8-a7b7-65574442ab19.JPG" data-mid="72942043" border="0"  src="https://freight.cargo.site/w/1000/i/e3d6f5daf43970b795b0922545207de9b47cc296c919f440437f6762ab41cd6d/ee29161d-798c-44e8-a7b7-65574442ab19.JPG" /&#62;

	The Permian Recordings are subterranean audio recordings from the Permian Basin, a section of West Texas known for oil and gas extraction near the towns of Midland and Odessa. The piece plays through four massive custom-built infrasonic subwoofers, recreating the droning, shuddering tones of an industrialized landscape.&#38;nbsp;


Read more about this project...

</description>
		
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	<item>
		<title>Enact a Preservation</title>
				
		<link>https://philpeters.art/Enact-a-Preservation-1</link>

		<pubDate>Mon, 02 Sep 2019 23:19:52 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

		<guid isPermaLink="true">https://philpeters.art/Enact-a-Preservation-1</guid>

		<description>
	Enact a Preservation
	


	
&#60;img width="5000" height="3332" width_o="5000" height_o="3332" data-src="https://freight.cargo.site/t/original/i/f13decc8239e5548927cfd06b965ef80d1956558e9e1f5aa5bf9b6d922379e3e/EAP-installation-shot---New_o.jpg" data-mid="49761829" border="0"  src="https://freight.cargo.site/w/1000/i/f13decc8239e5548927cfd06b965ef80d1956558e9e1f5aa5bf9b6d922379e3e/EAP-installation-shot---New_o.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b0146180498710bd331f674af3eee86b4bb07a276f20781311496914002a727f/EAP-detail_5.jpg" data-mid="49761830" border="0"  src="https://freight.cargo.site/w/1000/i/b0146180498710bd331f674af3eee86b4bb07a276f20781311496914002a727f/EAP-detail_5.jpg" /&#62;
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&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f98db2844ad593ebf96e70c807d24caecfc2581c6702c683243d963573ed79b2/_MG_1221-Edit.jpg" data-mid="49761828" border="0"  src="https://freight.cargo.site/w/1000/i/f98db2844ad593ebf96e70c807d24caecfc2581c6702c683243d963573ed79b2/_MG_1221-Edit.jpg" /&#62;

	Enact a Preservation reconstructs the unrealized view of Mies van der Rohe’s Resor House near Jackson Hole, Wyoming. The partially completed house, originally designed to span a wide mill creek, was destroyed in a flood in 1943.
Read more about this project...
</description>
		
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	<item>
		<title>Field Set - Altadena</title>
				
		<link>https://philpeters.art/Field-Set-Altadena</link>

		<pubDate>Wed, 14 Oct 2026 18:31:21 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

		<guid isPermaLink="true">https://philpeters.art/Field-Set-Altadena</guid>

		<description>Field Set - Altadena
	
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/1e7da51c5167d57727187244989011a63edb4aeca8ca926a7b466e76d94964ce/DSC07847.jpg" data-mid="253396244" border="0"  src="https://freight.cargo.site/w/1000/i/1e7da51c5167d57727187244989011a63edb4aeca8ca926a7b466e76d94964ce/DSC07847.jpg" /&#62;
&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/9b56e6233cda98a1147c617cb3cb1ed3789d98f8d143a777b8882987ec35ce85/DSC06006.jpg" data-mid="253396240" border="0"  src="https://freight.cargo.site/w/1000/i/9b56e6233cda98a1147c617cb3cb1ed3789d98f8d143a777b8882987ec35ce85/DSC06006.jpg" /&#62;
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/32c0ded9b8e15448b537899971a8056fb5bda81bc8efcf4c3bf33e56fcaee60a/DSC07760.jpg" data-mid="253396243" border="0"  src="https://freight.cargo.site/w/1000/i/32c0ded9b8e15448b537899971a8056fb5bda81bc8efcf4c3bf33e56fcaee60a/DSC07760.jpg" /&#62;
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&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/edf16a04f413c3725db558bfd48f59ab730fe36b60966c6345750b0dcc809863/DSC08525.jpg" data-mid="253449266" border="0"  src="https://freight.cargo.site/w/1000/i/edf16a04f413c3725db558bfd48f59ab730fe36b60966c6345750b0dcc809863/DSC08525.jpg" /&#62;
Photo credit: Star Montana, Courtesy of Los Angeles Nomadic Division (LAND)
Field Set, presented by the Los Angeles Nomadic Division (LAND)A collaboration with Kelly Akashi, documenting the sounds of demolition and nearby rebuilding in the wake of the devastating Eaton Fire in Altadena, CA. This two-day public event featured the work of Kelly Akashi, Phil Peters, Celia Hollander, Paul McCarthy, Alex Stevens, and John Wiese“The Place I Feel I Belong Isn’t Really There Anymore” by Tiffany HearseyThe Progressive Magazine, July 9, 2026


Review of Field Set by Sampson Ohringer
Artillery Magazine, June 3, 2026


“Kelly Akashi and friends celebrate Altadena's resilience after Los Angeles wildfires” by Scarlet ChengThe Art Newspaper, May 26, 2026


“A burned Altadena lot becomes an art exhibit, sourced from remnants and sounds of Eaton fire”&#38;nbsp;By Mandy Rodriguez
Pasadena Star-News, May 25, 2026
“An Eaton Fire survivor turned remains of her home into art. How to check it out this weekend” LAist - NPR’s All Things Considered, May 20, 2026 


&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/a30a896db8caff775d7da2c5a73793e2f56d643c469cc122aebdcf5404ab08f6/just_speakers.jpg" data-mid="253397310" border="0"  src="https://freight.cargo.site/w/1000/i/a30a896db8caff775d7da2c5a73793e2f56d643c469cc122aebdcf5404ab08f6/just_speakers.jpg" /&#62;
Using subterranean microphones, Peters has been continuously recording Akashi’s property since May 2025, capturing the sounds of demolition and nearby rebuilding in the wake of the devastating Eaton Fire. Presented here for the first time as a three-hour durational soundscape, these field recordings focus on the debris removal and excavation that took place where you are standing. Played through large-scale subwoofers constructed by Peters, the work unfolds across the ground and through low-frequency sound, using the site as a physical surface and a field of resonance.
Following the soundscape, each day concluded with a music performance by artists with ties to the neighborhood: Celia Hollander on Saturday, May 23 and Paul McCarthy,&#38;nbsp;Alex Stevens, and John Wiese on Sunday, May 24. 
Visitors were invited to wander through the lot to experience a community garden and new sculptural interventions by Akashi, using materials such as tree branches, glass, bricks, and tiles sourced primarily from her property following the fire. Among the works was Witness (Altadena), the artist’s still-standing chimney from her original home, now presented as a sculpture. Taken together, Field Set demonstrates how artists, organizations, and communities can transform individual fragments into a resilient whole through collaboration.
Video credit: HRDWRKR




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	<item>
		<title>Field Set - The Whitney</title>
				
		<link>https://philpeters.art/Field-Set-The-Whitney</link>

		<pubDate>Fri, 16 Oct 2026 23:42:35 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

		<guid isPermaLink="true">https://philpeters.art/Field-Set-The-Whitney</guid>

		<description>Field Set - The Whitney
	
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/8762c60cfcdba5c9d8dd480a3d02b18003ff409843d3931d8c99b96f534ec96a/7.31.26_Whitney_009.jpg" data-mid="253445570" border="0"  src="https://freight.cargo.site/w/1000/i/8762c60cfcdba5c9d8dd480a3d02b18003ff409843d3931d8c99b96f534ec96a/7.31.26_Whitney_009.jpg" /&#62;
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&#60;img width="1600" height="1008" width_o="1600" height_o="1008" data-src="https://freight.cargo.site/t/original/i/4678dc4ef3d6a8342931c617bda149a04cbe7a7b576c6f630860b4964fca9c36/7.31.26_Whitney_004.jpg" data-mid="253445568" border="0"  src="https://freight.cargo.site/w/1000/i/4678dc4ef3d6a8342931c617bda149a04cbe7a7b576c6f630860b4964fca9c36/7.31.26_Whitney_004.jpg" /&#62;
Photo by Christopher Ernst5th Floor Terrace,&#38;nbsp;Whitney Museum of American Art, New York, NYA collaboration with Kelly Akashi, documenting the sounds of demolition and nearby rebuilding in the wake of the devastating Eaton Fire in Altadena, CA. This three-day event featured the work of Phil Peters, Kelly Akashi (Whitney Biennial), and performances by Tara Walters, Kyle Luntz, Simona Prives, and Ryan Vahey.The first iteration of Field Set was organized by Los Angeles Nomadic Division (LAND) and took place at the site of Kelly Akashi’s former home in Altadena. 

Using subterranean microphones, Peters has been continuously recording Akashi’s property in Los Angeles since May 2025, capturing the sounds of demolition, debris removal, and nearby rebuilding in the wake of the devastating Eaton Fire that burned Akashi’s home and studio. Arranged into a durational soundscape, these field recordings meditate on the aftermath of the fires and the excavation of the site. 

&#60;img width="1123" height="1600" width_o="1123" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a85a43372482dde83b3a92ae06922e2719f04e8d0942c3109de7a61cf34709af/7.31.26_Whitney_022.jpg" data-mid="253445571" border="0"  src="https://freight.cargo.site/w/1000/i/a85a43372482dde83b3a92ae06922e2719f04e8d0942c3109de7a61cf34709af/7.31.26_Whitney_022.jpg" /&#62;
Photo by Christopher Ernst


Large-scale subwoofers constructed by Peters amplify low-frequency sounds, creating a field of resonance between Akashi’s sculpture, Monument (Altadena), and the place it honors. The resulting soundscape is physical as well as sonic, offering an embodied way to contend with widespread destruction and its aftermath. Additional performances by artists who have been directly impacted by fires in both Los Angeles and New York took place over the course of the weekend. 


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&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6330c62b6dcfdaba787cbc3c8908d7a72f4d8003da71787a3af9c7924358e431/KyleLuntz-SimonaPrives-RyahVahey_byFilipWolak_0153_3285.jpg" data-mid="253448311" border="0"  src="https://freight.cargo.site/w/1000/i/6330c62b6dcfdaba787cbc3c8908d7a72f4d8003da71787a3af9c7924358e431/KyleLuntz-SimonaPrives-RyahVahey_byFilipWolak_0153_3285.jpg" /&#62;
Photo by Christopher Ernst
Kelly Akashi’s Monument (Altadena)
Monument (Altadena) stands as a testament to the widespread losses suffered in Altadena, California, in the Eaton Fire in January 2025. After Kelly Akashi’s home and studio burned, the chimney was the only structure left standing. She worked with a mason to rebuild it piece by piece, alongside a reconstruction of her home’s walkway, in luminous glass brick. 


&#60;img width="1600" height="939" width_o="1600" height_o="939" data-src="https://freight.cargo.site/t/original/i/b5451175a5f41697fc09ea948e9ae80bf769e654aae3b431dd180f030f9b2ead/7.31.26_Whitney_079.jpg" data-mid="253448356" border="0" alt="Kelly Akashi's Monument (Altadena)" data-caption="Kelly Akashi's Monument (Altadena)" src="https://freight.cargo.site/w/1000/i/b5451175a5f41697fc09ea948e9ae80bf769e654aae3b431dd180f030f9b2ead/7.31.26_Whitney_079.jpg" /&#62;
Photo by Christopher Ernst

PerformancesTara WaltersWalters creates atmospheric music that explores memory, nature, and transformation. In the aftermath of the Los Angeles fires, which destroyed her home, Walters returned to search through the rubble and discovered her sound bowl still intact. The bowl had been transformed by the fire, its surface bleached to a pale, smoke-blushed color, with ash and debris fused into the crystal. Even its tone had changed, shifting from an E to an A. As part of her electronic and acoustic performance, Walters will play the sound bowl and offer a trance mediumship transmission focused on how we move forward through times of loss, change, and renewal.


&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/24d40d37dc20ecd2cfe0303df963a549ec20caa76ac200c7d1cb3c5fd7ed54da/TaraWalters_byFilipWolak_0055_5895.jpg" data-mid="253445584" border="0"  src="https://freight.cargo.site/w/1000/i/24d40d37dc20ecd2cfe0303df963a549ec20caa76ac200c7d1cb3c5fd7ed54da/TaraWalters_byFilipWolak_0055_5895.jpg" /&#62;
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&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/97dde1e9152a478149842bc4e3fed28325e64fea216fc314e9fecbd46a904cae/TaraWalters_byFilipWolak_0012_5836.jpg" data-mid="253445581" border="0"  src="https://freight.cargo.site/w/1000/i/97dde1e9152a478149842bc4e3fed28325e64fea216fc314e9fecbd46a904cae/TaraWalters_byFilipWolak_0012_5836.jpg" /&#62;
Photo Credit: Filip Wolak
Kyle Luntz, Simona Prives, and Ryan Vahey
Void is a live performance by Luntz, Prives, and Vahey created in response to the loss of their collaborative work Behind the Sky, an immersive installation that was destroyed by a fire in Red Hook, Brooklyn in September 2025. The improvisational work follows the arc of the fire: an initial emergence and accumulation, a sudden destructive event, and the profound absence that follows. Fragments of the original composition are reintroduced through live instruments and archival samples, transformed by analog tape degradation and convolution reverb generated from the impulse responses of cavernous spaces. Rather than reconstructing what was lost, Void inhabits its aftermath, exploring absence and memory, destruction and persistence.

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Photo Credit: Filip Wolak


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		<title>The Storm</title>
				
		<link>https://philpeters.art/The-Storm</link>

		<pubDate>Thu, 15 Oct 2026 23:22:44 +0000</pubDate>

		<dc:creator>Phil Peters Artist Website</dc:creator>

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		<description>The Storm
	
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Photo credit: Santi HurtadoThe Canary Test, Los Angeles, CADurational sound installation with infrasonic subwoofers, documenting both Hurricane Hilary's impact on the San Gabrielle Mountains and concurrent tremors from the San Andreas Fault.


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The Storm is a large-scale sound installation that transforms Canary Test into a resonant instrument, immersing visitors in the deep, infrasonic frequencies of Hurricane Hilary, a once-in-a-century storm that struck Southern California in 2023.The Storm centers on Phil Peters' artist-built sound system that is capable of reproducing frequencies as low as 10Hz. Spanning the full length of the gallery, the installation reinterprets geophonic recordings from Mt. San Gorgonio into a complete sensory experience that captures the force of Hurricane Hilary above and the tremors from the San Andreas Fault below. The piece invites visitors to stand, sit, and lie on massive infra-subs, feeling the storm’s sonic waves through physical vibrations. This shift in scale and perception destabilizes human-centered narratives, amplifying the unsettling realities of our current epoch.

Through Peters’ innovative use of sound and space, The Storm critiques institutional norms and explores how art can serve as a conduit for new ways of understanding the interconnectedness of human and environmental systems. Edited to play in varying and unpredictable cycles, the storm recording becomes a contemplation on our fundamental experience of climate change, sublimating into a metaphor for transformation, change, and loss. This work invites us to feel, listen, and reflect on the imperceptible yet powerful forces shaping our world, sparking a reconsideration of our relationship with nature and the systems we inhabit.
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Listening EventsAs part of this exhibition, on two separate nights, Canary Test and Phil Peters turned over the sound stage to feature work that expanded upon ideas raised in Peters’ installation.

February 16, 2024Sam Dunscombe (Live Performance of Two Forests)
Alyssa Moxley (Field Recording: Underdrift)
Laurie Palmer (Four-Channel presentation of Soulstorm)
February 21, 2024Hamza WalkerPerforming under his artist moniker DJ Foamcore, Walker took over Peters' infrasonic sound system to spin vinyl and CDs from his personal archive of records and field recordings.

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